American Cinematographer
Magazine
- Herb A. Lightman, “The ‘Cinemagic’ of 007,” American Cinematographer, March 1970, pp. 204–207. On Her Majesty's Secret Service (film).
- “Behind the Cameras Trained upon 007,” American Cinematographer, March 1970, pp. 209–210. On Her Majesty's Secret Service (film).
- Michael Reed, “Photographing ‘On Her Majesty's Secret Service’,” American Cinematographer, March 1970, pp. 210–211, 263, 278. On Her Majesty's Secret Service (film).
- “Directing the New 007,” American Cinematographer, March 1970, pp. 218–221. On Her Majesty's Secret Service (film); Interview with Peter Hunt.
- John Glen, “Filming the Thrills, Chills, and Spills of 007,” American Cinematographer, March 1970, pp. 222–227, 270–272. On Her Majesty's Secret Service (film).
- David Samuelson, “Behind the Scenes of ‘The Spy Who Loved Me’,” American Cinematographer, May 1977, pp. 486–487, 550–554. Interviews with Ken Adam and Claude Renoir.
- “About Pinewood Studios' New 007 Stage,” American Cinematographer, May 1977, pp. 488–489, 545–547.
- Rande DeLuca, “The Freefall Filming of ‘Moonraker’,” American Cinematographer, October 1979, pp. 1008–1009, 1054. Moonraker (film).
- B. J. Worth, “Developing a Special ‘Bond’ Between Fall Guy and Camera,” American Cinematographer, October 1979, pp. 1012–1013. Moonraker (film).
- “Behind the Scenes of James Bond 007: ‘For Your Eyes Only’,” American Cinematographer, August 1981, pp. 760–761, 822–827. For Your Eyes Only (film).
- John Glen, “The Director Talks about ‘For Your Eyes Only’,” American Cinematographer, August 1981, pp. 762–763, 828–829. For Your Eyes Only (film).
- David Samuelson, “‘For Your Eyes Only’ and Its Special Effects,” American Cinematographer, August 1981, pp. 764–766, 786–789. The Spy Who Loved Me (film); Interview with Derek Meddings.
- Willy Bogner, “Thrills and Spills on the Bobsled Run,” American Cinematographer, August 1981, pp. 768–769, 808–809. For Your Eyes Only (film).
- Alan Hume, “Photographing ‘For Your Eyes Only’,” American Cinematographer, August 1981, pp. 770–771. For Your Eyes Only (film).
- Jimmy Devis, “Staging the Helicopter Sequences with ‘007’,” American Cinematographer, August 1981, p. 774. For Your Eyes Only (film).
- Paul Wilson, “Of Miniatures and Mayhem,” American Cinematographer, August 1981, p. 776. For Your Eyes Only (film).
- Walter S. Clayton III, “Surviving Underwater with James Bond,” American Cinematographer, August 1981, pp. 778–779, 800–807. For Your Eyes Only (film).
- Arthur Wooster, “The Second Unit Has All the Fun,” American Cinematographer, August 1981, pp. 780–781, 830–832. For Your Eyes Only (film).
- R. Steadman, “Underwater for ‘Never Say Never Again’,” American Cinematographer, October 1983, pp. 52–54, 80–88. Never Say Never Again (film).
- Russell Ito, “24 Frantic Hours on ‘A View to a Kill’,” American Cinematographer, July 1985, pp. 83–91. A View to a Kill (film).
- Nora Lee, “New Bond Fills Bill in ‘The Living Daylights’,” American Cinematographer, July 1987, pp. 56–64 + cover. The Living Daylights (film).
- Nora Lee, “John Glen Has Long Bond History,” American Cinematographer, July 1987, pp. 67–68, 70, 72. Interview with John Glen.
- Sparky Greene, “Aerial Derring-Do for ‘Living Daylights’,” American Cinematographer, July 1987, pp. 75–76, 78, 80. The Living Daylights (film).
- Nora Lee, “007 Sharks Get Personal Cameraman,” American Cinematographer, August 1989, pp. 28–30, 32–33. Licence to Kill (film).
- Nora Lee, “Licence to Kill — No. 16 and Counting,” American Cinematographer, August 1989, pp. 42–48, 50 + cover. Licence to Kill (film).
- Nora Lee, “Production Design for That Bond Look,” American Cinematographer, August 1989, pp. 52–57. Licence to Kill (film).
- David E. Williams, “Reintroducing Bond… James Bond,” American Cinematographer, December 1995, pp. 34–44 + cover. GoldenEye (film).
- Ed Gross and Ron Magid, “GoldenEye: Epic Effects on a Small Scale,” American Cinematographer, December 1995, pp. 46–48, 50, 52. GoldenEye (film).
- Ron Magid, “A Special Year for Effects,” American Cinematographer, December 1995, p. 53. Derek Meddings.