|
1970
|
The Airline Pirates
|
Gardner
|
|
1970
|
“The Golden Ghost”
|
Lawrence/Horak
|
|
1970
|
Traitor's Exit
|
Gardner
|
|
1970
|
What Became of Jane Austen? and Other Questions
|
Amis
|
|
1971
|
Air Apparent
|
Gardner
|
|
1971
|
Detectionary: A Biographical Dictionary of Leading Characters in Mystery Fiction
|
Penzler, Steinbrunner and Lachman
|
|
1971
|
“Double Jeopardy”
|
Lawrence/Horak
|
|
1971
|
Far Afield in the Caribbean: Migratory Flights of a Naturalist's Wife
|
Bond
|
|
1971
|
“Fear Face”
|
Lawrence/Horak
|
|
1971
|
The Golden Ball and Other Stories
|
Christie
|
|
1971
|
The Great Movie Series
|
Parish, ed.
|
|
1971
|
Hess
|
Manvell and Frenkel
|
|
1971
|
The Ian Fleming Collection of 19th–20th Century Source Material Concerning Western Civilization Together with the Originals of the James Bond–007 Tales
|
Randall
|
|
1971
|
Jonathan Cape, Publisher
|
Howard
|
|
1971
|
Mass Culture Revisited
|
Rosenberg and White, eds.
|
|
1971
|
The Murder Book: An Illustrated History of the Detective Story
|
la Cour and Mongensen
|
|
1971
|
The Novelist at the Crossroads and Other Essays on Fiction and Criticism
|
Lodge
|
|
1971
|
The Peeping Tom Patrol
|
Playboy
|
|
1971
|
Snobbery with Violence
|
Watson
|
|
1971
|
“Starfire”
|
Lawrence/Horak
|
|
1971
|
“Trouble Spot”
|
Lawrence/Horak
|
|
1972
|
The Collector's Book of Detective Fiction
|
Quayle
|
|
1972
|
The Dynamics of Creation
|
Storr
|
|
1972
|
A History of the Russian Secret Service
|
Deacon
|
|
1972
|
“Isle of Condors”
|
Lawrence/Horak
|
|
1972
|
James Bond in the Cinema
|
Brosnan
|
|
1972
|
“The League of Vampires”
|
Lawrence/Horak
|
|
1972
|
The Masks of Hate: The Problem of False Solutions in the Culture of an Acquisitive Society
|
Holbrook
|
|
1972
|
OSS: The Secret History of America's First Central Intelligence Agency
|
Smith
|
|
1972
|
The Pearl of Days: An Intimate Memoir of the Sunday Times, 1822–1972
|
Hobson, Knightley and Russell
|
|
1972
|
Shovelling Trouble
|
Richler
|
|
1973
|
“Beware of Butterflies”
|
Lawrence/Horak
|
|
1973
|
The Brand New Monty Python Papperbok
|
Palin et al.
|
|
1973
|
Deeper into Movies
|
Kael
|
|
1973
|
“Die with My Boots On”
|
Lawrence/Horak
|
|
1973
|
The Durable Desperadoes: A Critical Study of Some Enduring Heroes
|
Butler
|
|
1973
|
The Evening Colonnade
|
Connolly
|
|
1973
|
The Films of William Holden
|
Quirk
|
|
1973
|
“The Girl Machine”
|
Lawrence/Horak
|
|
1973
|
James Bond 007 Tarot Book
|
Kaplan
|
|
1973
|
James Bond: The Authorized Biography of 007
|
Pearson
|
|
1973
|
A James Bond Omnibus
|
-
|
|
1973
|
Live and Let Die and Other James Bond Film Music
|
-
|
|
1973
|
The Master Book of Spies
|
McCormick
|
|
1973
|
The Primal Screen
|
Sarris
|
|
1973
|
Roger Moore as James Bond 007: Roger Moore's Own Account of Filming ‘Live and Let Die’
|
Moore
|
|
1973
|
Roger Moore's James Bond Diary
|
Moore
|
|
1973
|
Saturday Afternoon at the Bijou
|
Zinman
|
|
1973
|
The Spy Who Died of Boredom
|
Mikes
|
|
1973
|
The Thriller: The Suspense Film from 1946
|
Davis
|
|
1973
|
A Treasury of Modern Mysteries
|
-
|
|
1973
|
Unholy Fools; Wits, Comics, Disturbers of the Peace: Film and Theater
|
Gilliatt
|
|
1974
|
Cunning Exiles
|
Anderson and Knight, eds.
|
|
1974
|
Festschrift Jean Martin
|
-
|
|
1974
|
The Films of Roger Moore
|
Williams
|
|
1974
|
The Films of Sean Connery
|
Andrews
|
|
1974
|
Great Stories of Mystery and Suspense
|
Reader's Digest
|
|
1974
|
High Stakes and Desperate Men
|
Reader's Digest
|
|
1974
|
Hollywood U.K.: The British Film Industry in the Sixties
|
Walker
|
|
1974
|
The Movie Treasury — Thriller Movies: Classic Films of Suspense and Mystery
|
Hammond
|
|
1974
|
“The Nevsky Nude”
|
Lawrence/Horak
|
|
1974
|
Notes on an Endangered Species and Others
|
Richler
|
|
1974
|
Peter Fleming: A Biography
|
Hart-Davis
|
|
1974
|
“The Phoenix Project”
|
Lawrence/Horak
|
|
1974
|
Spy/Counterspy: The Autobiography of Dusko Popov
|
Popov
|
|
1974
|
Without Cloak or Dagger: The Truth about the New Espionage
|
Copeland
|
|
1975
|
The Autobiography of William Plomer
|
Plomer
|
|
1975
|
“The Black Ruby Caper”
|
Lawrence/Horak
|
|
1975
|
Christopher Lee's ‘X’ Certificate
|
Lee and Parry, eds.
|
|
1975
|
Desert Island Discs
|
Plomey
|
|
1975
|
Grand Slam: 13 Great Bridge Stories
|
Cole and Edwards, eds.
|
|
1975
|
Killer for a Song
|
Gardner
|
|
1975
|
“Till Death Do Us Part”
|
Lawrence/Horak
|
|
1975
|
“The Torch-Time Affair”
|
Lawrence/Horak
|
|
1975, 1984
|
You Only Live Once: Memories of Ian Fleming
|
Bryce
|
|
1976
|
Adventure, Mystery, and Romance: Formula Stories as Art and Popular Culture
|
Cawelti
|
|
1976
|
“Ape of Diamonds”
|
Lawrence / Horak+Colvin
|
|
1976
|
A Contribution to the Psychoanalytic Study of the Modern Hero: The Case of James Bond
|
Trahair
|
|
1976
|
Encyclopedia of Mystery and Detection
|
Steinbrunner and Penzler
|
|
1976
|
“Hot-Shot”
|
Lawrence/Horak
|
|
1976
|
The Life of Noël Coward
|
Lesley
|
|
1976
|
A Man Called Intrepid: The Secret War
|
Stevenson
|
|
1976
|
Movies from the Mansion: A History of Pinewood Studios
|
Perry
|
|
1976
|
“Nightbird”
|
Lawrence/Horak
|
|
1977
|
Anatomy of the Spy Thriller
|
Merry
|
|
1977
|
The Cinema of John Huston
|
Pratley
|
|
1977
|
Florinda
|
Broccoli
|
|
1977
|
Great Stories of Mystery and Suspense
|
Reader's Digest
|
|
1977
|
James Bond, The Spy Who Loved Me
|
Wood
|
|
1977
|
Murder Ink
|
Winn
|
|
1977
|
Private Lives of Private Eyes: Spies, Crime Fighters, and Other Good Guys
|
Penzler
|
|
1977
|
“When the Wizard Awakes”
|
Lawrence/Horak
|
|
1977
|
Who's Who in Spy Fiction
|
McCormick
|
|
1978
|
The Book of Spies and Secret Agents
|
Pate
|
|
1978
|
Fiction and the Fiction Industry
|
Sutherland
|
|
1978
|
Ian Fleming: A Catalogue of a Collection
|
Campbell
|
|
1978
|
Reruns: 50 Memorable Films
|
Crowther
|
|
1978
|
You Bet Your Life
|
Kaminsky
|
|
1979
|
Delicate Mission: Autobiography of a Secret Agent
|
O'Brien-ffrench
|
|
1979
|
Die James Bond Filme
|
Scheingraber
|
|
1979
|
The Great Spy Films: A Pictorial History
|
Rubenstein
|
|
1979
|
Is James Bond Dead? Great Spy Stories
|
Woods and Woods
|
|
1979
|
James Bond and Moonraker
|
Wood
|
|
1979
|
Murderess Ink
|
Winn
|
|
1979
|
Politics and Deviance
|
Taylor and Taylor, eds.
|
|
1979
|
The Rhinestone as Big as the Ritz
|
Coren
|
|
1979
|
The Role of the Reader: Explorations in the Semiotics of Texts
|
Eco
|
|
1979
|
“Sea Dragon”
|
Lawrence/Horak
|
|
1979
|
Thrillers: Genesis and Structure of a Popular Genre
|
Palmer
|